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There are monsters everywhere. I don’t like to think about it. I don’t like to, but I do. I think about it a lot.

Like the first time I drove Sam back to the new house. I was nervous enough, anyway, that everything should go right. His mother had thrown so many obstacles in the way of this visit that everything had to go right. If it didn’t, she’s never let me see him again. My knuckles were white on the steering wheel.

I looked at him for a moment in the rear-view mirror. My boy. I was going to take good care of him. This could be a new beginning for us.

The radio broke in: “Police are reminding everyone to be careful following the escape of a repeat sexual offender from Dengie Prison. The man-”

I snapped the radio off, my head suddenly full of all sorts of unwelcome images: tearful press conferences, police searches through local woodland, Sam’s face all over the front of the newspapers, his mother blaming me.

Rain tapped on the windscreen. I couldn’t see much outside.

I peered out for my driveway, the new driveway, and pulled in. I pushed all the other stuff out of my head. I didn’t like to think of it for the fear of making it happen. Sam was, for the first time, my sole responsibility.

He was completely out of it. We’d had a long day.

He didn’t wake up when I heaved him out of the car seat, another new purchase. He didn’t wake when I had to juggle his weight to get the keys into the lock. He didn’t even wake when the man in the bushes pressed the gun against my head.

#

I don’t like rhododendrons. Dark, and fat-leaved they always look as if they are plotting something, hiding something.

He stepped out and pressed the gun against my right temple. I had a sense of something in my peripheral vision for a moment, but, with my hands full of Sam, there wasn’t much I could do.

Open the door,” He smelled of sweat. Sour, acrid, full of hormones. “Don’t look at me, just open the door.”

I was calmer than I would have expected. Something primal, basic, had kicked in, and I was thinking of only one thing: protecting Sam. Sam who still hadn’t woken up.

As the key snagged in the lock I had a terrible thought. What if it was Sam he was after?

I pushed the door open, stepped into the hall, and stood very still.

Can I take him through to the living room? My arms are getting tired.”

Go slowly. No sudden moves.” His voice was hoarse, thick. I knew he was more frightened than I was. Because I wasn’t frightened. I knew what I had to do. Sam was my responsibility.

I went through the door to my right, thinking that he should probably turn on some lights. As long as the lights were off, I knew my way around, I had an advantage.

I probably had an advantage. I didn’t know how long he had been watching us.

I put Sam down on the sofa, and reached down behind one of the cushions as I did. It’s always best to be prepared. Especially with a youngster in the house.

My fingers found the point of the Stanley knife, and, whilst arranging Sam, I slid it up into my sleeve.

A knife wasn’t much good against a gun. Unless he didn’t know you had it. I was going to have to bide my time.

#

He kept pacing and looking out of the curtains. He wouldn’t let me make tea. Out in the kitchen with all of those knives…

Gnawing a fingernail he pointed at Sam with the gun.

Does he always sleep this long?”

I don’t know, he usually sleeps at his mum’s. He’s never come here before.”

And I’d lose him for good if she found out what had gone on this evening. Maybe I could get rid of the man before Sam woke up. Maybe it would be a little secret.

#

The telly didn’t help to calm him. He was too scared to pay much attention, always pacing and muttering, “Shit shit shit shit shit.”

Until the news came on. Then he was all ears.

It was about the child molester again, and he hurriedly switched it off. He caught me looking at him.

What? That’s not me! I don’t do that kind of shit!” And again, pathetically: “I don’t do that kind of shit.”

He peered out of the curtain again when Sam started to stir. About time, I thought, for someone of his weight.

Sam’s eyes flickered open, and I could tell that he didn’t know where he was. This wasn’t the way I’d imagined him discovering his new house. He saw the man at the window with a gun, and let out an involuntary cry.

I slid the knife down into my hand. I couldn’t let him hurt Sam. Not after all we’d been through. Not when things were just coming together.

It’s all right,” The man has his hands up, faux-harmless, “Just do what your dad says, and everything will be all right.”

Sam looked at me, questioning, his eyes wide with terror. I nodded.

He looked back at the man, struggling to take it all in.

He points at me.

He’s not my dad.”

And that’s when I started to move towards the man, knife in my hand, very fast, just like I’d practised.

There are monsters everywhere. And sometimes it’s the duty of the big monsters to eat the little ones…

Dear All,

It is with a heavy heart that I announce that, although you’re all waiting eagerly for tomorrow’s instalment, there will be no January Gloaming. This is because of a couple of things: various people’s illnesses, work commitments, and the fact that I am an utter arse.

Still, do not fear. the cast and crew of In The Gloaming have instead put their 2008 effort, The Meeting, onto Youtube for you instead. Made by Comedybox and guest starring Eastender Michael Greco, The Meeting was the first real creation of the group who now make In The Gloaming, and has not been available on the Internet for the last year or so. There are 8 x 3 min episodes, so you’re still getting about half and hour’s comedy from us this month.

I didn’t decide not to do this month’s Gloaming lightly, but given a choice between producing something sub-standard just so that we wouldn’t have missed a month, or spending the time getting next month’s to be excellent, I chose the latter.

Anyway, here, for your delectation, is The Meeting.

Sweet screams…

N

x

It starts with the title. That’s a great title. It starts with the title, and it grows with every page. ‘The Narrows’ is one of the most effective horror stories I have ever read. It made me despair.

It’s not uncommon when  reading horror stories to experience repulsion, sometimes shock, suspense if the author’s good at what they’re doing, and at times they can leave you utterly, utterly drained. However, this is the first time a horror story has ever driven me to despair. Despair not just for the characters in the story, but for all of us.

‘The Narrows’ is about a small group of survivors of a nuclear attack, three teachers and the pupils they got out of their school. They take refuge in an underground system of canals and the adjoining caves and passage: the Narrows.  Of course, they find more than they were expecting down there.

What Bestwick does so wonderfully here is to draw out the hopelessness of their situation. There is no good way out. There is no way out. On the surface, there’s only radiation sickness and death; in The Narrows there is something else, perhaps something worse. As he draws you through their story, as more options are cut off, as more goes terribly wrong, you cannot help but despair at realising that even if the best happens for them, the characters will still never see sunlight again.

And this, I think, is the core of what is so effective about the story. It forces you to confront the fact that, even if everything goes your way, you’re still going to end up dead. You’re going to have a probably painful, undignified and lonely death. If you’re lucky.

This story has traditional horrory scares, and things that slither in dark corners, and lightless passages that won’t let you back to where you came from, but it is the all-pervading sense of doom, unavoidable doom, that makes this story truly horrifying. This is one of the best short horror stories – no, one of the best short stories I have ever read.

I found the story in Best Horror of the Year 1, but it’s also available in this anthology from Pendragon Press, edited by Gary McMahon. The Ellen Datlow anthology I found to be patchy (entertainingly so), but it had some really good stuff from Nicholas Royle, Glen Hirshberg, Steve Duffy, Daniel Kaysen, Ray Russell, and Margo Lanagan. It’s great value, and you’re sure to find something you like (although I think ‘The Narrows’ is worth the price of entry on its own).

The Fade To Grey anthology has other stories from Paul Finch, Mark West, Gary McMahon, and Stuart Young, all of whom are up-and-coming British horror writers with some great stories under their belts. If they are all as good as this story it will be £7.99 well-spent.

You may remember the first review we had on here, that of Michael Marshall Smith’s What Happens When You Wake Up In The Night. Well, our (my) is obviously shared by some others, as (according to the newly-released Table of Contents) it will be included in Best Horror of the Year 2, edited by Ellen Datlow.

You may want to order that signed copy from Nightjar Press now…

Yes, I know that all the other reviews have been of small press, British authors of whom you might not have heard, and that Ray Bradbury hardly needs the extra publicity, but this is a tale that has hung around in my head for six months now…

The jar is about just that – a jar in which there is something pickled. Something unidentifiable. Charlie, an unhappy man in an unhappy marriage, buys it from a travelling carnival and suddenly becomes as interesting to his neighbours as he has always hoped to be. Everyone wants to come and stare at the contents of Charlie’s jar.

Everyone, that is, except Charlie’s wife. Thedy is determined to undermine her husband in whatever he does, and she does her best to destroy the mystique of the thing in the jar. The thing in the jar, however, has other ideas…

This was my first recent experience with Ray Bradbury, and it was an eye-opener. The prose feels effortless, as if there has been no thought put into it. It feel like the most natural way the story could be told, the way Steinbeck does. It has a Cannery Row feel, too, with people sitting on stoops, and odd things in jars, and Charlie has the depth and desperation of a Steinbeck hero.

The ending is nasty enough to satisfy any fan of In The Gloaming. It really has the twisted morality of so many of the delightful 50s horror comics. They managed to be Puritan at the same time as humane and entertaining, with wicked people coming to dreadful ends.

The gentle lyricism of the prose lends itself to the light telling of a tale of oozing horror. It’s a great yarn, and one I feel the better for having read.

I found it in an anthology of mostly-unremarkable stories-involving-fairs-or-circuses, called Dr Caligari’s Black Book, edited by Peter Haining. It’s been out of print forever (my copy suggests that I may have borrowed it from the school library in 1988; an inscription reads “You May Keep Me For A Week But Please Look After Me”. Well, I’ve certainly looked after it…).

You can, however, find it in Ray Bradbury Stories: v. 1. It’s well worth a peek…

[UPDATED: Edited in line with Jack's comments below.]

A very warm welcome to all of those new visitors who are joining us after our appearance on The Sonic Society, brought to you by courtesy of Jack J Ward and Shannon Hilchie. We hope you enjoy what you heard.

The other podcasts, in all of their wickedness, are over in the Podcast Archive. In the main section you also find reviews, short fiction, and the administrative odds and ends.

Have a dig around. If there’s anything you can’t find, let us know. And, above all, sweet screams…

Listen up, Canada!

Tomorrow night on CKDU 88.1FM In The Gloaming will be making its broadcast debut. Our first episode – ‘Dead Skinny‘ – is making up part of the Sonic Society’s weekly show. We’re reliably assured that it’s the raciest thing they’ve ever put out…

If you’re in Canada, why not have a listen? You probably won’t have anything better to do…

If you’re not in Canada you can download the Sonic Society podcast, which highights the best audio drama from around the world. Which is us.

We will be performing the first two live performances of In The Gloaming plays on stage at the World Horror Convention in March.

The World Horror Convention is a gathering of the horror industry from across the world, and this year it is being held in Brighton. There will be readings, workshops, roundtables, other entertainments (including a one-man show about M.R. James, and one by Reggie Oliver), and an awards banquet.

It all takes place over the weekend of March 25th to 28th. There are still tickets available, I believe, although the price goes up on January 31st.

We will be performing readings (in the style of Round The Horne… Revisited) of two Gloamings, one on the Friday evening and one on the Saturday evening. We’re not sure which ones yet (I might even write a new one for it – they will certainly be somewhat adapted from the recorded versions).

I’ll be using this as a test run for a full live show; so, if all goes well, you could have In The Gloaming at a dingy fringe venue near you! Huzzah!

Well, we’re half way through our six-episode run for Season One, and we’re making some decisions as to what to do next.

There are a number of options. We could do some specials based on classic horror stories, in the ITG style; we could try to find new short stories that fit with what we are doing and adapt some of those as specials (or a short series). We’re also thinking of putting together a book of the Minigloams and scripts for Season One, with new introductions and explanatory notes, but are not sure if anyone would want one. There is also, of course, the option of developing a live show.

Anyway,  we’d love to have your thoughts as to what you think we should be doing when the first season ends in March.

Happy New Year, Gloamers!

Here to cheer you through the wintry weeks until we reappear again at the end of the month, is the script for Silent As The Grave. Again, you’ll see we cut a lot out, and we’d love to hear from anyone who’s made their own versions…

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